ZORIAH - A PHOTOJOURNALIST AND WAR PHOTOGRAPHER'S BLOG: Gaza Medical Crisis

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Lectures

Public Presentations and Lectures
Zoriah has begun to devote a portion of each year to lecturing and presenting to universities, institutions and at political events. For universities, a typical itinerary consists of two days of presentations to multiple departments followed by a public, multi-departmental lecture. The presentations can be tailored in length and subject matter to each department and the multidepartmental lecture currently consist of a thirty minute slideshow showcasing recent work from Iraq, Afghanistan, Lebanon, Palestine, the Asian Earthquake and the Tsunami. The lecture touches on many subjects including the art of visual storytelling, the current state of the media and my own thoughts on documenting life in conflict. Lectures can be tailored to the need of each individual organization, university or event.

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Each photo story that I bring to the world costs literally thousands of dollars to produce. While transportation to and from remote locations eats up the majority of my budget, I must also pay for food, accommodation, insurance and equipment such as body armor, cameras, lenses, photo storage and equipment maintenance costs. - These photo stories depend on your support and funding. Without your donations these projects will live only in my dreams and not in reality, where the world can see them and be affected by them. If you enjoy seeing this work and believe in supporting truly independent photojournalism, please support it. - The power of the still image to teach, affect and inspire change is truly amazing and people like you make it all possible. Every dollar counts! - You can choose to make a one time donation, or set up recurring monthly payments. If you have not considered recurring monthly payments, these are a great way to fund ongoing projects without putting a strain on your pocketbook. - Because documentary photography is my full time job, recurring payments provide a much needed monthly income and let me focus on the issues that are truly important, intead of what subjects will sell to the corporate media. - - Secure donations can be made below with PayPal. If you are not comfortable with online payments, please contact us for an address to mail a money order or cashiers check to

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Available Workshops: Location Tailored to Interest

Mexico:
Fossil Fuel Impact. Document car culture and its effects on the environment in one of the worlds most polluted cites, Mexico City.
Israel and Palestine:
Compare and contrast life in Jerusalem and life in the West Bank city or Ramallah.
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Child Drug Addicts. Photograph the lives of children addicted to inhalants.
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Travel Photography. Travel from Cassablanca to Marakesh and produce a travel related photo series.
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Shoestring Travel. Students travel through Laos and produce a story geared to budget minded travelers and backpackers - Brazil: Amazonian Deforestation. Work in the Amazon Basin documenting the environmental impact of clear cutting.
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Technology and The Modern World. Explore the role of technology in our lives in one of the most advanced cities on planet earth. *Japan workshops have higher tuitions and higher living costs.
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The New Face of The Refugee Crisis. Live in an urban jungle pupulated by refugees from around the world while documenting their lives...and your own.
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Poverty's Environmental Impact: Work in urban slums to show the impact of poverty on the ocean and environment.
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Palestinian Refugees. Spend time photographing the lives of Palestinian refugees living in camps around the country.
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Shanty Towns. Documenting life in extreme poverty.
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Modernizing an Ancient Culture. Document how modernization and progress effect an ancient culture in the amazing city of Shanghai.
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Beggars life. Spend one week documenting the life of homeless or "untouchable" man or woman.
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Working in Extreme Conditions. This workshop is designed to give higher-level students a chance to experience work under adverse conditions.
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Comparing urban and rural poverty. Students spend half the workshop photographing in Saigon and the other half in Chau Doc or another small village.
Cambodia
AIDS Orphans - live in an orphanage and document the lives of one or more children.

Biography

Zoriah is an award-winning photojournalist whose work has been featured in some of the world’s most prestigious galleries, museums and publications. Zoriah's clients have included The BBC, Newsweek, The Wall Street Journal, Fortune, ABC News, NPR, Focus and many others. With a background in Disaster Management and Humanitarian Aid, Zoriah specializes in documenting human crises in developing countries. His vitae not only lists photographic achievements and study, but also the in-depth training and experience necessary for working under extreme conditions in some of the world's harshest environments

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Images and text from this blog may be republished online in blogs as long as full credit is given. A link to http://www.zoriah.com must be given as well as a credit line under each image reading "© zoriah/www.zoriah.com" The owner holds all original copyright and licenses. Republishing rights for bloggers only, companies, organizations, NGO's and similar must first obtain permission before republishing. Contact www.zoriah.com/contact for more information or email info at zoriah dot com.

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« Gaza and Israel - Civilian Toll | Main | Gaza Tunnels - Inside the Hamas Run Tunnel System from Gaza to Egypt »

January 07, 2009

Gaza Medical Crisis - Hospitals in the Gaza Strip

Although this story was shot in May of 2006, it shows the incredible stress Gaza’s medical system was under in a period of relative calm. Because the Israeli government is preventing me from entering Gaza to shoot the current situation, I am re-posting this story to let you use your imagination as to what might be happening in Gaza right now.

In May of 2006, several months after U.S. and Israeli sanctions closed Gaza’s borders and prevented everything from goods, money and medicine from entering the country, Gaza’s hospitals became overwhelmed with sick and dying patients that they were unable to treat and care for due to lack of supplies. From babies being delivered without the doctors being able to wash their hands with soap, to terminally ill patients dying in the hallways after their medication ran out, it was truly a horrific scene to witness.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_20060511_9111

The entrance to El Shafa, Gaza’s primary medical facility in Gaza City, Gaza in May, 2006

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-08-06-FD9T8772ci

An infant lies in the neonatal emergency ward of El Shafa, Gaza’s primary medical facility in Gaza City.. Doctors were delivering babies without being able to use soap or paper towels to clean their hands during the height of the medical crisis.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-03-06-FD9T8197ci

A boy on dialysis in El Shafa hospital. Patients on dialysis struggled as supplies ran low and parts for failing machines remained stuck in Israel unable to cross the border.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-03-06-FD9T8181ci

An elderly woman on dialysis in El Shafa hospital.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-09-06-FD9T8888ci

An elderly woman suffering from dementia in El Wafa hospital. Mental institutions and homes for the elderly suffered desperately when medications to treat mental illnesses such as dementia were not allowed to cross into Gaza.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-09-06-FD9T8825ci

A patient lies in bed with a fly crawling on his face in El Wafa hospital.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-08-06-FD9T8709ci

A young terminally ill boy lies in bed dying without access to medication in Al Naser hospital.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-09-06-FD9T8870ci

An elderly woman in El Wafa hospital.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-08-06-FD9T8615ci

A young cancer patient waits for chemotherapy supplies that lie stuck in Israel without permission to cross into Gaza.

Zoriah_gaza_palestine_israel_palestinians_arab_muslim_medical_crisis_hospital_doctor_supplies_05-03-06-FD9T8265ci

The intensive care unit's medical supply closet in El Shafa hospital sits nearly empty after sanctions cut medical aid from reaching the Gaza Strip.

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Lady Griz hand Selvig 800th career win with 68 61 victory over PortlandGriz up to fifth in TSN poll, highest ranking of seasonBig Sky honors Sac State QB SafronNorth Dakota football coach firedSince 1897, the Cat Griz rivalry has captivated the stateFamily health: Prepare yourself and your vehicle for winter drivingFitness calendarBirths for Tuesday, November 19Angler with 4th place total takes Fall Mack Days fishing tournament titleWestern Montana hunters get help from fresh snow, rutIf the name Grace Coddington is familiar, you've probably seen the 2009 documentary film "The September Issue" about Vogue magazine's Editor in Chief Anna Wintour, the most feared and revered woman in fashion. Now Coddington, the longtime creative director of Vogue, has her own star vehicle, an engaging memoir titled "Grace," co written with Michael Roberts. For anyone with a passing interest in the fashion industry, it's worth a read for the name dropping alone.As became clear in the film, which chronicled the magazine's staff as they put together the 4 pound September 2007 issue, Coddington is not the Anna Wintour or Diana Vreeland type. You won't hear her barking orders at assistants or making dramatic pronouncements about pink.But she is equally passionate, a wild haired dreamer who thinks that fashion should be transporting, provocative and even intellectual, who bemoans the dominance of celebrities and digital hocus pocus in fashion photography and who isn't afraid to take on Wintour.The book is a window into how fashion has changed from a small, niche business into a global pop culture medium. It chronicles Coddington's 50 years in the industry, first as a model, then as a fashion editor for British Vogue and finally as creative director for American Vogue, with lots of juicy anecdotes about designers, photographers, celebrities and models.She compares the fashion world then and now and offers clues into her relationship with Wintour. She's also open about her private life, including details about failed marriages, the tragic death of her sister Rosemary and her 30 year romance with French hairstylist Didier Malige. She tells colorful stories behind many of the fashion shoots she has styled, but I do wish she had offered more insight into her role in the creative process.Coddington begins by painting a picture of her upbringing as romantic as any photo shoot. For her first 18 years, her home was the Trearddur Bay Hotel on the island of Anglesey off the coast of North Wales. "Although it was bleak, I saw beauty in the bleakness." When she wasn't outdoors, she amused herself by looking at picture books, reading fairy tales and, yes, studying the pages of Vogue magazine. As a teen, she went to a convent school and has vivid memories of the nuns roller skating on the rooftop, "flapping about surreally in their robes like crows on wheels."At 18, she moved to London to attend a modeling course advertised in Vogue. The fashion world was much different in 1959. Coddington had to learn how to apply her own makeup and style her own hair, because makeup artists and hairdressers specializing in photo shoots were nonexistent. A meeting with photographer Norman Parkinson led to her first modeling job running naked through the woods for an arty fashion catalog.Coddington became an overnight success. "I was a character, rather than a pretty model, and I suppose that's exactly what I look for in the girls I now select to put in American Vogue the ones who are quirky looking."She earned the nickname "The Cod" (to Jean Shrimpton's "The Shrimp"), danced the twist on Mary Quant's catwalk and became a muse to Vidal Sassoon, who created his famous five point cut on Coddington. Her modeling career was derailed for two years by a car accident, which scarred her left eyelid. But eventually things picked up again, and she settled into life in 1960s swinging London and Paris, hanging out with a fast crowd that included Michael Caine, Jane Birkin, the Beatles and the Rolling Stones.Her fashion editing career coincided with the beginning of her relationship with Michael Chow and the opening of his glamorous restaurant Mr. Chow, which attracted a starry crowd. "Naturally, we were forever being photographed at home, draped among our symbols of 'with it ness' as one of London's most happening couples; him, the cool young restaurateur, nonchalantly swinging in a hammock hung from the minstrel's gallery and me, the sophisticated style maker, perkily sitting cross legged atop a giant pop art version of a Campbell's soup can."At the height of the bohemian 1970s, she dyed her hair with henna and permed it (it would stay the same for much of the next 40 years), dressed almost exclusively in Yves Saint Laurent, had a fling with a Vietnamese photographer and spent her evenings at Club Sept in Paris. Coddington worked with the who's who of fashion. 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Testimonials

"A riveting, unflinching set of some of the most poignant photography I've ever come across." No. Nein
"In the great Magnum tradition!" David Lewis-Baker
"His commitment to photojournalism can not be denied. I am certain he will secure a place amongst some of our best." JR Photography
"I've seen many war photos and met a few war photographers, but Zoriah's work deeply touched me." Globe Visions
"Zoriah Miller, In looking through his materials on his website, no one could debate the fact that he is enormously talented as a photographer, there's no doubt about it. Photographs taken around the world, many in war-torn regions...extremely moving." Laura Ingraham on the Laura Ingraham Show
"You are as J. Nachtway, Alex Majoli, Alexandra Boulat... brave reportage... good, good job..." Salvatore Piermarini
"It is a eye opener to view your work, it brings strong emotions when doing so. Your work reflects an other side of the world around us and beyond. Its a honour to be your contact and I will use it to find inspiration for myself. Thanks for sharing these pictures with us." Frits van Sambeek
"Le tue foto danno un senso alla vita,c'è chi ha tutto e chi non si può permettere di pensare al futuro...perchè non sa se ci sarà! Più li guardo e più mi commuovo per la bellezza e la dura realtà." Mimmo Messineo
"Your work has changed me. It`s such an interesting effect your work has. Amazing art, it also informs so specifically, precisely." Roberto Eiti
"Zoriah`s pictures keep me breathless. They are shocking and at the same time they have an attraction which makes me come back to look at them again and again. Zoriah`s work has my full respect. Chapeau!" T. Klick
"Your amazing photos take me away from my comfort zone, and I confess I need that. Thank you for being out there and show all of us what is going on beyond our comfortable lives. Please, be safe as much as possible." Itmelo
" Zoriah, your pictures bring out so many emotions in me, I'm at a loss for words. They are heart wrenching and thought provoking...thank you for sharing!" Roxy Millado-Duguay
The iraq night patrol series was one of the most frightening photo-series I've seen about war. Zoriah pushed war photography in another dimension. You suddenly start appreciating your own life knowing that millions of other souls don't even know how to survive the next night." Dan cinematographer/Berlin
"There's a deep meaning in every photo, you've been at the right time and place. Some photos made me cry, and at the same time I was happy to see such a photostream ! It's one of a kind. Thank you so much for sharing.." Hanan Iaway
"Zoriah is a REAL photographer...Thank you Zoriah for showing us the truth." Bluto Blutarski
"Your work is beyond words. Almost to point of emotional breakpoint." Chieska
"Tus fotos son increibles, impactantes. El tratado de blanco y negro es fenomenal... Me quito el sombrero. Ya me gustaría a mi poder hacer trabajos de ese tipo..." Javier Martin
"You have some outstanding work! I checked your site and I understand why you have won awards. You really cover your subject matter with an expert eye, very inspiring and eye opening. I will check back often!" Dvdell Photo
"Muito muito muito com o seu trabalho... meus sinceros parabens. Fico feliz em ver fotografos engajados com a luta dos povos Beijos e fortes abraços solidários" Ratao Diniz
"Incredible not just because they are excellent photographs but because they are frighteningly honest. I hope you continue to make these strong, thought provoking records and that you stay safe in what must be incredibly difficult situations, both physically and emotionally." JimboTF
"It would be somewhat of an understatement to say I was impressed with your work. We obviously know how dangerous it is to be involved in that theater (Iraq.) I'm sure that every moment of every day is just on the verge of chaotic for what is that war (war?) if not the ultimate of chaos? And yet you have these moments where you pause to compose image of graphic quality equal to content. Admire all you compositional skills but am especially taken by the wideangle work. Do your best to do so and know you're held in high esteem." Cyclops-Optic
"I have to confess, that I couldn't sleep properly after seeing your photos the first time. These images are still in my mind and won't let me go." Vic
"There is a great passion in every single shot and I’m very impressed, sad, shocked, touched, deeply moved, frightened and inspired in the same way.You are documenting a very important episode of history. Your pictures speak for themselves and your work is beyond words. Your work is not easy as it is difficult to photograph people in distress. However, it concerns us all and we shall not forget!" Victoria
"Into the very depths of my soul. I cannot begin to even sum up with words, the depths of how your images reach out to me. It brings me down to earth and reminds me as to why I picked up the camera in the first place. Your works are truly inspiring. You're very privileged to have to see these places with your own eyes, observe and capture through your lens the true state of the world we live in. As for now, for me, it'll have to be through your eyes, your pictures and the stories they tell. Truly honored," Itzhar
"There is a hunger to know the truth about war and your accurate presentation of it is exemplary. I don't believe it possible to be unmoved by your images. This is especially true for those of us who live in a very different world, essentially free from the suffering and carnage you portray. Thank you for your dedication and courage. You are making and incredible contribution to world understanding, hopefully not at an extreme cost to yourself. War photography seems like a hard way to make a living on many levels. Living and breathing civilian trauma is not easy but it is more localized. You can get away from it by driving or moving to another location, but with war there is no escape. The reality is so harsh and overwhelmingly pervasive into all areas of life. Stay safe. Many will be following you." Phopper Nowlin
"Thanks, Zoriah, for your hard work and incredible vision, and for the inspiration your example lends to others who have put down the gun, or never carried one." eL Bz
"All I can say: 'It's very, very impressive.' Keep up the good work. The world must know!" Mulder Photography
"Oh my God! His work is very dramatic! Reporting reality in a way never before seen ...I am impressed." Primo Tacca Neto, Brazil
"Your images are so profound - they have so much depth and feeling attached to them. I have much admiration for those who are willing to risk their own safety in order to capture images such as the ones you do." Luke, UK
"After watching your pics... I´m absolutely tired. Exhausted. Sooooo much information inside them. One day, I will make pictures like yours, but it will take me three or four lives to learn to do it. Not great but incredible work. Thanks for showing us all the way. Master." Jose Manuel, Spain
"I feel honored after I have seen your great work; one day maybe, with more time I hope I will also be able to take the picture I like, going to those place where a photographer contribute can be of a help to improve the quality of life of all those people suffering. Thank you again" Piero
"Your images work so well. One thing I would love you to photograph in an ideal world: The impeachment and sentencing of Dick Cheney, Donald Rumsfeld, George Bush, Paul Wolfowitz and team for international war crimes. Those pictures would make a fitting end to your middle east series. Keep doing your thing, you are making a difference." Dan
"All Wars are very bad and nobody wins...your photographs are very impressive. Congratulations!" Engin Gerçek
"Thank you. Your work is amazing, photojournalism is my most desired form of photography. The stories, emotions, and sights your photographs bring to their audience are moving, maddening, touching, frightening - all the things good photojournalism does. Rock on." Podolux
"Powerfoul work. It catches visually my attention, and after some pictures I was inmersed in the humanity, the pain, the fight it reflects. Thanks for sharing this work!" Alejocock
"You are an amazing photographer. I look forward to following your work." Professor Brian Morley, Ph.D
"Your work is absolutely amazing, I love it because it´s hard and beautiful at the same time, you have the most amazing eye, congratulations." Mirelle B
"I am often full of words, but tonight your photos have left me speechless. I cannot even begin to imagine the things you've seen. May God keep your heart as you bare your soul through your captures." Michelle
"Really, I can't stress how I admire your work. Your photos really move me. I like photography for its beauty, but how you embed meaning in your photos, is just MIND-BLOWING." Screaming Snapshots
"Your photos are incredible, for me photojournalism is the most important form of photography, risking your life to show the world real life is crucial." Colin
"Nothing makes me cry these days, too complicated to explain, but having just looked at your photos I am sobbing. I can honestly say they are most shocking and at the same time touching photos I have ever seen. You made me think not just of the subject matter but the situation, atmosphere and also how you felt observing and photographing. Thank you for sharing, truly moved." Anonymous
"Your photographs are incredible, powerful and touching. I admire that you have a background in humanitarian aid." Terence
"Congratulations for your work, your images give us a glampse about what war is about. Humiliation, pain, only for interests. You make this horrible thing seem human. Thank you." Rafael de Carvalho
"I find these kinds of life photos as heartbreaking as those which vulgarly show death and destruction. Such good capture, it tells a whole story..." Petit1ze
"Tus fotos son increibles, impactantes. El tratado de blanco y negro es fenomenal... Me quito el sombrero. Ya me gustaría a mi poder hacer trabajos de ese tipo..." Javier Martin
"Superb photojournalistic images you have in your gallery! Compels me to comment on almost each one. Let them speak for themselves because they really don't need comments. They yet deserve to be deeply appreciated for all their quality. Hope to see more of your fantastic work soon." Mario Proenca
"I've often tried to express this practice, but a photo is worth more than my words." W. Quatman
"I've always thought that photographs are a kind of self portrait of the photographer. I appreciate your eye and sensibility and the work you do to make the act of war real to the rest of us I mentioned your "eye," your heart is just as visible in your images." Jerry Downs Photographer
"Your work is amazingly powerful. Some hard to look at, but gripping nonetheless." Ron Landucci, Infinite Editions
"Simply excelent! It's a great reportage of a difficult situation." Rancescamare • "Stunning!" Matteo de Mayda • "Deserves to take a well earned place in history in the company of Phillip Jones-Griffith, Don Mc Cullen, Larry Burrows and Robert Capa. The minimal presentation of his work is perfect...the viewer fills in the details, and the images linger stubbornly in the memory, to awake one from sleep in a cold sweat...these images cannot be taken in in one viewing...the viewer returns restlessly again and again, attempting to process the information...this is really happening. Iconic, compelling images of war by a true professional.... I take my hat off to him." Goddessofxanadu
"A chilling commentary on the madness of war, ALL WAR." Ronzig's Gallery
"The worlds cruelty compressed into some thousand pixels ... it's so impressive" Cavo Kernich
"This is what photography exists for." Dot Spiral
"Right up there with Robert Capa. Wonderful work, you should be with MAGNUM. You are showing all sides of the conflict." Old Rollei
"Haunting beyond words." Yarnahoy
"Hugely thought provoking work." Leah Franchetti
"What you are doing is so, so important. I cannot even contemplate what horror and pain you have seen. But see it we must. True dedication and bravery is the only way to expose such inhumanity. Keep truth as your motto, and maybe this silly world we live in will someday wake up and treat people as living souls, not simply pieces of meat to be traded in worthless pointless conflicts. I salute you sir." Jim Bodownie
"Simply excellent! It's a great reportage of a difficult situation."Frances Camare
"Amazing work. Absolutely outstanding!" Thomas W.P. Slatin Photography
"I am awed by these images. Some rank among the best millitary images I've ever seen, and I've collected all the greats." Konsum Terra
"I am in awe. I really don't know what to say. I haven't been this affected since I saw Nachtweys work." Dude Crush
"It is a eye opener to view your work, it brings strong emotions when doing so. Your work reflects another side of the world around us and beyond. I will use it to find inspiration for myself. Thanks for sharing these pictures with us." Frits van Sambeek
"Amazing! difficult to stomach (I am very emotional)... but just brilliant and captivating. Thanks for sharing all your photos..." Penelope Gan
"A photograph is like a symbol for all the frightening aspects of a disastrous war that brings so much suffering to so many innocent people on both sides. Great, valuable, artful, high class photography that shows the true face of what is going on in Iraq after the "Holy Mission" was declared completed so long time ago. I bow in respect of your great work." Helmut Schadt

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Gaza Medical Crisis - Hospitals in the Gaza Strip

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Categories

Top Posts

Photojournalism Workshops

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My Favorite Photographers

Published In:

SADR CITY

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A RETURN TO BAGHDAD ER

Available Workshops: Location Tailored to Interest

Biography

THE RED ZONE

About

Rights and Usage

Become a Fan

January 07, 2009

Gaza Medical Crisis - Hospitals in the Gaza Strip

Comments

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Workshops

Support Independent Journalism

Support/Donate!

Zoriah's Twitter Updates

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