Photojournalism Technique - Thoughts and Theory Behind Capturing Images of Conflict, Crisis and Disaster
A young boy peers through the barbed wire fence of a refugee camp in Muzaffarabad, Pakistan, in the wake of the South Asian earthquake of 2005.
Working with a new interpretation of Robert Capa's famous quote:
There is a quote that is often told to photography and photojournalism students from practically the first day they set out with their cameras: "If your pictures aren't good enough, you're not close enough." It is an amazing quote from one of the most respected war photographers of all time, Robert Capa (please read NOTE at end of post.) Unfortunately, I think there is deep meaning in this quote that is neglected by most photographers and photojournalism professors.
Yes, proximity is important in gathering good images. However, I have found that it is much more important to be emotionally close to your subjects.
I remember the point in which this really clicked for me. It was during the South Asian earthquake that struck Pakistan in October of 2005 and I had just arrived in Muzaffarabad, the quake's epicenter, and set up my tent on the outskirts of one of many refugee camps. Within minutes of pushing in my final stake, I was overcome with fatigue, muscle cramping and dizziness. I laid down in my tent and within a few hours was shaking uncontrollably, sweating and vomiting like I never had before. There I was in a city with no hospitals, few standing buildings for that matter, winter setting in, stuck in my tent with no English speakers nearby, the sound of AK-47's shooting back and forth in the hills to my right and left, seven hours from the nearest city on a collapsed road—which killed a busload of people directly in front of the bus I was riding in only hours before—no food, out of water and scared out of my mind.
Several hours later a Canadian nursing unit (thank you again Valerie and the rest of your team) found me and dragged me into a field clinic where they put me on IVs for two days, then transferred me to the U.S. M.A.S.H. hospital (another heartfelt thank you!). Obviously I ended up surviving, they never found out what I had but the best guesses were Typhoid or Malaria. Whatever it was, it was truly unpleasant and took me six weeks to recover from.
When I went back out to shoot around Muzaffarabad, with an IV running from my Camelback into my arm, I saw my subjects in a completely different light. You see, I had spent six years skydiving, four years of deep/night/wreck SCUBA diving, two years of motorcycle racing and various other adrenaline type sports, but it was that week that I realized that I had never really been scared before.
It is hard to explain, but there is such a massive difference in the way it feels to be in control of something compared to having no control. In extreme sports you have control, you know what you need to do, how much time you have to do it and you can always walk away. So while these sports are thrilling, they are not scary.
Scary is knowing that you have no options. Scary is knowing that without someone to help you, you will absolutely die. And once I felt that, once I knew that feeling in my gut, I saw the people I photograph in a completely different light.
Since that experience I have been in many others in which I have felt what it is like to live the lives of those I photograph, and that has allowed me empathize with those I photograph and become emotionally close to them, not just physically close to them. There is a horrible misinterpretation of the idea of objectivity in the world of journalism that makes people believe that they must not feel or think anything or it will negatively affect their journalistic integrity. So we produce journalists and photographers who are programmed not to think or feel—and that is reflected in their work.
Journalism students need to be taught that objectivity, listening openly to both sides, considering all points of view and entering stories with no bias is something completely separate from empathizing with your subjects and learning to understand what they are living through as fellow human beings.
So, for all of you who want to improve your images, think about Robert Capa's words regarding physical proximity, then think about them again in terms of your emotional proximity to the subjects you document. I promise that when you start photographing PEOPLE and not just STORIES, there will be a night and day difference in what you capture.
A shot of me being nursed back to life in the Canadian clinic in Muzaffarabad, Pakistan.
Note: Since making this post it has been brought to my attention that there is some controversy as to the origin of the quote "if your pictures are not good enough, you are not close enough." A very reliable, gifted and world renowned photographer friend of mine sent me an email stating that it was not Robert Capa who first said these words but his girlfriend Girda Taro. It is commonly known that Girda was not only an inspiration to Capa but also taught him a great deal about his craft.
I am leaving Robert Capa's name in this post and attaching this note since most people still attribute the quote to Capa, but the subject is open to debate and I would love to see reader comments on the subject.
Very insightful. Never really thought of it like that, and I probably would have misinterpreted Robert Capa's quote without you explaining it. Thanks.
Posted by: Account Deleted | April 10, 2009 at 03:44
I really enjoyed reading this post
Posted by: jarek | April 10, 2009 at 15:49
I have to agree with the other commenters. A very interesting take on Capa's quote. Thank you for sharing this!
Posted by: Fredrik Berg | April 12, 2009 at 13:39
That's what a lot of photographers need to do - get more on the ground with their subject so they can stop pontificating through imagery and actually get down to translating what is going on in their subjects' lives. Thanks.
Posted by: Mikasi | April 12, 2009 at 18:29
This post kind of resonated with me. There was a period in my life when I had no control over what was going on around me. It was not a health related like yours - but it was so bad that I lost all hope. Getting clsoer to your subjects I guess is true for many professions.
Posted by: Mouly | April 19, 2009 at 00:50
! what a gift you have, i just happened to find this site by accident , and your photo's are more deep than the ocean. I was deeply moved. God give you strength to watch and learn from all that is around you, and help you,to continue moving lives each day with this great talent that you have been blessed with.
Posted by: Jane | April 19, 2009 at 10:16
Since this is about Capa, might as well mention his second most famous quote that, with the first, sums it all up:
"Like people and let them know it"...
Capa and Gerda never claimed to be objective:
"In a war, you must hate somebody or love somebody; you must have a position or you cannot stand what goes on", or going even further: "The truth is the best picture, the best propaganda."
I have never heard of Gerda being credited for the "If your pictures are not good enough...", but even after the discovery of the Mexican suitcase, there is still plenty of controversy around Capa's bio, and that is quite possible. She is the one who first stated that "the only way to document the realities of war is to be as close to it as possible".
Regards,
O.
Posted by: Olivier | April 19, 2009 at 13:37
I am a Visual Journalism student and have been very inspired by this blog, and your work. I am a very timid photographer and constantly feel that I am not good enough or that someone could do my work better. Your words have resonated with me and I feel that I need to work harder and "get closer." I know how important it is to understand the subject being photographed and I need to constantly remind myself how important it is to be as involved as possible when following them. Truth telling in my photography is incredibly important as well and I need to be very aware of that as I approach the possibilities of real photojournalism. Thank you for your inspiring words.
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So poor of the children .So sad !
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